The Returning Feet

A darkness so deep That even one's own shadow cannot be seen, Now feels incredibly comforting. Dreams come, Indifferent to whether it is The new moon or the full moon night. On the roof, the pigeons While pecking at broken grains of rice, Etch a faint, hazy picture. Sometimes, that image appears clear, Sometimes, it comes alive and terrifies. It places a condition of absolute silence Upon all hidden, dark secrets. The promises that departed saying, "Look... I am coming back right away," Never return. Those who do return, Get lost along the chaotic paths of daily chores And completely forget. While bidding farewell to spring from the cycle of seasons, She had asked for a handful of Abir (colored powder). Because I failed to give it to her, The month of Phalguna remains upset to this day. Just now, The feet that were turned back From the upper step to the lower step, Ask— Whose picture is that...? What is the secret behind it...? The feet that were advancing forward, Gradually begin to retreat. The silent, answerless lips Along with the helpless body, And its innocent shadow, Slowly dissolve and vanish into the darkness. — Ratnamaya Tripathy Adhyayana, Balangir —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click Here

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लौटते हुए कदम (फेरि आशुथिबा पाद)

ऐसा गहरा अँधेरा जहाँ अपनी परछाई भी दिखाई न दे, अब बहुत आत्मीय (अपना सा) लगता है। सपने चले आते हैं, यह जाने बिना कि आज अमावस्या है या पूर्णिमा। छत पर बैठे कबूतर जब टुकड़े-टुकड़े अनाज चुगते हैं, तो एक धुंधली सी तस्वीर उकेर जाते हैं। वह तस्वीर कभी-कभी साफ़ दिखाई देती है, तो कभी जीवित होकर डराती है। वह सारे दफ़न रहस्यों को न बताने की शर्त रखती है। "देखो... मैं अभी आया" कहकर जो वादे गए थे, वे फिर कभी लौटकर नहीं आते। और जो लौटते भी हैं, वे रोज़मर्रा के झंझटों भरे रास्तों पर राह भटक कर भूल जाते हैं। ऋतुचक्र से बसंत को विदा करते समय, उसने एक मुट्ठी अबीर माँगा था। मैं दे न सका, बस इसीलिए यह फागुन आज तक रूठा हुआ है। अभी-अभी, ऊपर की सीढ़ी से नीचे की सीढ़ी की ओर लौट आए ये कदम पूछते हैं— वह तस्वीर किसकी है...? क्या रहस्य है उसका...? आगे की ओर बढ़ते हुए कदम अब धीरे-धीरे पीछे की ओर लौट रहे हैं। ये निरुत्तर (मौन) होंठ, इस असहाय काया के साथ, और वह मासूम परछाई, धीरे-धीरे उस अँधेरे में विलीन होती जा रही है। — रत्नमय त्रिपाठी अध्ययन, बलांगीर —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in English ? Click Here

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ଫେରି ଆସୁଥିବା ପାଦ

ନିଜ ଛାଇବି ଦେଖାଯାଉ ନଥିବା ଅନ୍ଧାର ଏବେ ଖୁବ ଆତ୍ମୀୟ ଲାଗେ ସ୍ବପ୍ନସବୁ ଆସେ ଅମାବାସ୍ୟା କି ପୂର୍ଣ୍ଣିମା ସେ କିଛିବି ଜାଣେନି ଛାତଉପରେ ପାରାସବୁ ଖୁଦ ଖୁଣ୍ଟୁଖୁଣ୍ଟୁ ଖୁଦି ଯାଆନ୍ତି ଗୋଟେ ଅସ୍ପଷ୍ଟ ଚିତ୍ର ସେ ଚିତ୍ର ବେଳେବେଳେ ସ୍ପଷ୍ଟଦିଶେ ବେଳେବେଳେ ଜୀବନ୍ତହୋଇ

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God of the Heart

I am thinking this time, I will give freedom to those few words That are aching within the bondage of silence. I will release some memories and experiences From their cage and show them the way out. The long-held anticipation within me— I will no longer shape it into poetry. The love treasured deep inside my heart, I will scatter and distribute it on the streets. Knowing the familiar faces very well, I will purposely treat them as strangers. All the numbers saved on my phone, I will delete them now. I do not wish to give any reply To the challenge you have thrown. You know very well whether I win or not— I will never let you lose. Under the curse of your hurt, silent pride (Abhimana), I have now become a stone at the bathing ghat. If you wish, you may wash your feet upon it, Or you may take it to carve the God of your heart. — Ratnamaya Tripathy Adhyayana, Balangir —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click Here

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हृदय के ईश्वर (हृदय ईश्वर)

सोच रहा हूँ इस बार, मौन के बंधन में छटपटाते हुए कुछ शब्दों को आज़ादी दे दूँगा। कुछ स्मृतियों और अनुभवों को पिंजरे से निकालकर बाहर का रास्ता दिखा दूँगा। बहुत दिनों से जो एक अधूरी प्रतीक्षा थी, उसे अब कविता का रूप नहीं दूँगा। हृदय में सहेजकर रखे हुए प्रेम को, अब राहों में बिखेर (बाँट) दूँगा। जाने-पहचाने चेहरों को जानबूझकर, अब अनजाना समझूँगा। फ़ोन में सहेजे (Save) गए सारे नंबर, अब डिलीट कर दूँगा। तुम्हारी उस चुनौती का कोई प्रतिउत्तर, मैं अब देना नहीं चाहता। तुम जानते हो कि मैं जीतूँ या न जीतूँ, पर तुम्हें कभी हारने नहीं दूँगा। तुम्हारे अभिमान (रूठने) के श्राप से, अब मैं घाट का एक पत्थर बन चुका हूँ। चाहो तो इस पर अपने पाँव पखार (धो) लो, या फिर इसे ले जाकर अपने हृदय का ईश्वर गढ़ लो। — रत्नमय त्रिपाठी अध्ययन, बलांगीर —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in English ? Click Here

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ହୃଦୟ ଇଶ୍ୱର

ଭାବୁଛି ଏଥର ନୀରବତା ର ବନ୍ଧନରେ କଷ୍ଟ ପାଉଥିବା ଶବ୍ଦ କିଛିକୁ ସ୍ୱାଧୀନତା ଦେବି l କିଛି ସ୍ମୃତି ଅନୁଭୂତିକୁ ପଞ୍ଜୁରୀ ରୁ କାଢି ବାଟ ଦେଖାଇବି ll ଅନେକ ଦିନରୁ ଥିବା ଅପେକ୍ଷା ଟିକକୁ ଆଉ ରୂପ ଦେବିନି କବିତାରେ l

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In Your Long Silence

Look, in your long period of silence…… See how much commotion fills the entire city. The decision that I had taken, The steps that I had advanced— Were they wrong or were they right? Where is the time to sit and judge……? In this city, it takes no time for rumors to spread, And it takes no time at all to suffocate a voice. Yet, I stand absolutely unyielding In the decision I have made. I have no regrets over your rejection; My only sorrow is this— That I made a grave mistake In recognizing the true nature of a heart. The earth must be drenched by now, The forests and orchards must be soaked In the very first rain of the month of Asadha. But within the garden of my heart, A desolate monsoon of Shravana rages on, Drenching me now solely In the pouring clouds of memories. The one for whom you are lighting The evening lamp right now— Look…… It is not for the sake of the light, my dear; Losing its direction, a soul destroys itself In the desperate hope of finding a life. Someone once said That silence is a sign of consent. Because of your long period of silence, Today, I am the one who stands defamed Across the entire city. — Ratnamaya Tripathy Adhyayana, Balangir Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click…

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तुम्हारी इस लंबी ख़ामोशी में

देखो, तुम्हारी इस लंबी ख़ामोशी के दरमियान…… देखो कि पूरे शहर में कैसा कोहराम (शोर) मचा है। जो फैसला मैंने लिया था, जो कदम मैंने आगे बढ़ाए थे— वे गलत थे या सही, इसका न्याय करने का वक़्त ही कहाँ है……? इस शहर में बातों को हवा मिलने में देर नहीं लगती, और किसी की आवाज़ को दबाने में भी वक़्त नहीं लगता। फिर भी, मैं अडिग हूँ अपने उस फैसले पर। तुम्हारे ठुकराने का मुझे कोई मलाल (दुःख) नहीं है; दुःख तो बस इस बात का है कि मुझसे एक बड़ी चूक हो गई एक सच्चे दिल को पहचानने में। अब तो यह मिट्टी भी भीग चुकी होगी, भीग चुके होंगे ये वन और उपवन आषाढ़ की इस पहली बौछार में। पर मेरे दिल के इस उपवन में श्रावण की वह उजड़ी हुई बरसात लगी है, जो अब मुझे सिर्फ़ और सिर्फ़ यादों के बादलों में भिगोती रहती है। तुम जिसके लिए जला रही हो इस वक़्त साँझ का यह दीया— देखो…… वह रोशनी के लिए नहीं है रे, राह भटक कर कोई अपनी जान गँवा बैठता है ज़िंदगी को पा लेने की एक नादान आस में। किसी ने कभी कहा था कि ख़ामोशी मंज़ूरी की निशानी (सहमति का लक्षण) होती है। पर तुम्हारी इस लंबी ख़ामोशी की वजह से, आज मैं बदनाम हो गया हूँ इस पूरे शहर में। — रत्नमय त्रिपाठी अध्ययन, बलांगीर Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this…

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The Hand of Blessing

Know this—against the hand you have raised at me, I cannot raise a hand of curses in return. Now that you have raised your hand, Perhaps you are forgetting that Your hand, its veins, and even the very blood flowing through them Belong to me. Nurtured under the shelter of my hands, Through the tender touch of my palms, and in exchange for my blistered joints— Your hands and your entire body were shaped. Patatting whose back and receiving whose support Are you showing such audacity, my dear (Dhana)? Perhaps you do not know— Here, to apply healing ointment on a wound of the right hand, Even the left hand refuses out of sheer contempt. The hand that was once only worthy of touching my feet for blessings— Do not attempt to rule or dominate with that very hand. Once my breath leaves this body, Even your hands will not find the strength To carry my corpse on your shoulders. Just like water that has flowed away, or words that have been spoken, A hand once raised in anger can never be taken back. You might manage to erase the scars upon your skin, But how will you ever heal The deep wounds inflicted inside the chest? Because you have never witnessed the shattering of a mountain, You have set out to pierce through rocks with your soft, delicate hands. Try breaking a hard stone floor just once, And you will realize how badly you need a strong, seasoned hand.…

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