The Palace of Dreams

On a lazy morning, the unruly wind Makes the mind drift away in abstraction. Promises of arrival made at unearthly hours Only leave the heart restless. The entire courtyard is heavy with regrets here; If you must come, what hope will you bring? Why come for no reason at all, Only to be subjected to blame and reproach? Look…… My entire body is covered With the scars of bitter stings. Cruel destiny keeps walking away After inflicting endless pain. Even a distant bird, coming from afar, Does not lose its way here. Look at my plight during the day— A miserable, incomprehensible state. In the month of Phalguna, you had promised to play with colors, And build a palace of seven-colored dreams. But a house cannot be built on the palm of mere promises; To build a home of love, It is essential for hands to join with hands. — Ratnamaya Tripathy Adhyayana, Balangir —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click Here

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सपनों का महल

एक अलसाई सुबह में यह मनमौजी हवा मन को अनमना (व्याकुल) कर देती है। असमय किए गए आने के सारे वादे दिल को और अशांत कर देते हैं। यहाँ पूरे आँगन में भारी अफ़सोस पसरा है; अगर तुम आओगे भी, तो कौन सी उम्मीद लेकर आओगे? बिना किसी वजह के आकर भला फिर से अपवाद (कलंक/लांछन) क्यों सुनोगे? देखो…… मेरे पूरे बदन पर लगे हैं दंश (अपनों के डंक) के निशान। यह निष्ठुर भाग्य केवल दुःख देकर चला जाता है। दूर का कोई पंछी भी दूर से आकर यहाँ अपनी दिशा नहीं भटकता। दिन के उजाले में मेरी दशा तो देखो— कितनी जटिल और दयनीय है। फागुन में तुमने कहा था कि रंगों से खेलेंगे, सात रंगों के सपनों का एक महल (सौध) गढ़ेंगे। पर सिर्फ वादों की हथेली पर कभी घर नहीं बनता; प्रेम का आशियाना बनाने के लिए तो हाथ से हाथ का मिलना ज़रूरी होता है। — रत्नमय त्रिपाठी अध्ययन, बलांगीर —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in English ? Click Here

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ସପନ ର ସୌଧ

ଅଳସୀ ସକାଳେ ଆନମନା କରେ ଅମାନିଆ ପବନ ଆସିବାର ପ୍ରତିଶୃତି ସବୁ ଅବେଳରେ ଅଶାନ୍ତକରେ ମନ ଅଗଣାସାରା ଏଠି ଅବଶୋଷ ଭାରି ଆସିବ ଯଦି କେଉଁ ଆଶା ଆଣିବ ? ଅକାରଣେ ଆସି ପୁଣି ଅପବାଦ କାହିଁକି ଶୁଣିବ ? ଦେଖ........ ଦେହସାରା ଲାଗିଛି ମୋ

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Just Now, Into the Five Elements

Just now, into the five elements, A body dissolved and merged. Along with that body, burned away All the sorrows of her life, Her grievances and silent hurts (Abhimana), And the stories of the Puranas she had gathered. That joyful smile visible from a distance, And the hand of affection over my head—all are gone. The sweet cry of "Mausi" (Aunt) Has been lost from the lips forever. To recall a passage from the scriptures, I can no longer make a loving demand of her. If I pass by the road near her house And alter my path to avoid her, There is no one left to scold me anymore. Above and beyond all earthly honors, Where shall I find a place worthy of you, Mausi...? In the lamp I have lit for you, I will pour my deepest offerings of reverence and respect. — Ratnamaya Tripathy Adhyayana, Balangir —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click Here

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अभी-अभी, पंचतत्व में

अभी-अभी, पंचतत्व में लीन हो गया एक शरीर। उस देह के साथ ही जलकर खाक हो गए उसके जीवन के सारे दुःख, मान-अभिमान (नाराज़गी), और उसके भीतर सहेजी हुई पुराणों की गाथाएँ। दूर से ही दिखने वाली वह ख़ुशी की मुस्कान, और मेरे सिर पर टिका वह स्नेह का हाथ—सब विलीन हो गया। "मौसी" की वह पुकार हमेशा-हमेशा के लिए ज़ुबान से कहीं खो गई। पुराणों के किसी प्रसंग को याद दिलाने के लिए, अब उससे कोई लाड़-मनुहार नहीं की जा सकेगी। उसके घर के पास वाली राह से गुज़रते हुए अगर मैं रास्ता बदलकर (कतराकर) निकल भी जाऊँ, तो अब कोई मुझे टोकने या डाँटने वाला नहीं है। संसार के समस्त सम्मानों से परे, मैं तुम्हें कहाँ स्थान दूँ, मौसी...? तुम्हारी याद में मैंने जो दीया जलाया है, उसी में अपनी श्रद्धा और सम्मान का अर्घ्य अर्पित करूँगा। — रत्नमय त्रिपाठी अध्ययन, बलांगीर —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in English ? Click Here

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ଏଇ ଏବେ ଏବେ ପଞ୍ଚଭୁତରେ

ଏଇ ଏବେ ଏବେ ପଞ୍ଚଭୁତରେ ଲୀନ ହୋଇଗଲା ଶରୀର ଟେ ଶରୀର ସହ ଜଳିଗଲା ତା ଜୀବନ ର ସବୁ ଦୁଃଖ ମାନ ଅଭିମାନ ସଂଗୃହିତ ପୁରାଣ ର ଗାଥା ଦୂରରୁ ଦେଖିଲେ ଖୁସିର ହସ ଆଉ ମୋ ମୁଣ୍ଡ ଉପରୁ ସ୍ନେହ ର ହାତଟେ ll

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They Alone are Friends…

In a river that is slowly drying up, Becoming a tributary And wishing to keep it forever flowing; To a loosening, weakening grip of the hand, Extending their own hand To make that hold even stronger; Covering up every falsehood, And providing the immense courage To look the absolute truth in the eye; Piercing through the hard rocky floor to rise above, Becoming both the anchoring root and the nourishing fertilizer... All such noble souls... are indeed true friends. — Ratnamaya Tripathy Adhyayana, Balangir —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click Here

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वही तो सच्चे मित्र हैं…

सूखती हुई नदी में, एक उपनदी बनकर उसे सदावाहिनी (चिरस्रोता) बनाए रखने की कामना रखने वाले; ढीली पड़ती हुई हाथ की मुट्ठी को और अधिक मज़बूत करने के लिए अपना हाथ आगे बढ़ाने वाले; सारे झूठ को ढँककर (परास्त कर), सत्य का सामना करने के लिए भीतर साहस जगाने वाले; चट्टान को चीरकर ऊपर उठने के संघर्ष में, जो जड़ और खाद... दोनों बन जाते हैं; ऐसे सभी श्रेष्ठ चरित्र वाले इंसान ही... सच्चे मित्र होते हैं। — रत्नमय त्रिपाठी अध्ययन, बलांगीर —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in English ? Click Here

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ଶୁଖି ଆସୁଥିବା ନଦୀରେ, ଉପନଦୀ ହୋଇ

ଶୁଖି ଆସୁଥିବା ନଦୀରେ, ଉପନଦୀ ହୋଇ ଚିରସ୍ରୋତା ହେବାର,କାମନା କରୁଥିବା l ହୁଗୁଳା ହାତମୁଠାକୁ ଆହୁରି ଶକ୍ତ କରିବାକୁ ହାତ ବଢ଼ାଉଥିବା l ସବୁ ମିଛକୁ ଘୋଡାଇ

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The Returning Feet

A darkness so deep That even one's own shadow cannot be seen, Now feels incredibly comforting. Dreams come, Indifferent to whether it is The new moon or the full moon night. On the roof, the pigeons While pecking at broken grains of rice, Etch a faint, hazy picture. Sometimes, that image appears clear, Sometimes, it comes alive and terrifies. It places a condition of absolute silence Upon all hidden, dark secrets. The promises that departed saying, "Look... I am coming back right away," Never return. Those who do return, Get lost along the chaotic paths of daily chores And completely forget. While bidding farewell to spring from the cycle of seasons, She had asked for a handful of Abir (colored powder). Because I failed to give it to her, The month of Phalguna remains upset to this day. Just now, The feet that were turned back From the upper step to the lower step, Ask— Whose picture is that...? What is the secret behind it...? The feet that were advancing forward, Gradually begin to retreat. The silent, answerless lips Along with the helpless body, And its innocent shadow, Slowly dissolve and vanish into the darkness. — Ratnamaya Tripathy Adhyayana, Balangir —————–Original Odia : Ratnamaya Tripathy Translated by : Dr. Khyatimaya Tripathy Want to read this poem in Odia ? Click Here Want to read this poem in Hindi ? Click Here

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